The New Yorker: A Mesmerizing New Opera About a Sonic Cult
“Mazzoli is a once-in-a-generation magician of the orchestra… [The Listeners] is perhaps her most original work to date… sinuously songful vocal lines; furtively expressive instrumental solos; a harmonic language that finds newness and strangeness in the interstices of traditional tonality; unerring narrative pacing.” Alex Ross, The New Yorker