New projects from Pharrell Williams, Missy Mazzoli and Kate Weare will be presented in the Guggenheim Museum’s “Works & Process” series this fall. Read the full article here
Read all about it HERE and check out a preview video and an interview with Missy, librettist Royce Vavrek, and director James Darrah below.
Here are some great photos from their show at the RC4 Festival:
Their sophomore album Render opens with Missy’s Vesper Sparrow. Read the press release here Listen to the album here
Missy Mazzoli will be performing at the Sounds of Music Festival in Groningen, the Netherlands. The festival runs from October 21-26 and details of the program can be found here.
FCA Announces 2015 Grants to Artists and Robert Rauschenberg Awards, Missy Mazzoli receives 2015 Music Award! Full press release HERE
Pre-orders available HERE for Missy Mazzoli’s new album Vespers for a New Dark Age with Victoire, Glenn Kotche, and Lorna Dune. The album is out March 31, 2015 on New Amsterdam Records. MORE INFO
On February 22 at the Cutting Room in New York, Missy Mazzoli will join Laurie Anderson for Innovative Women in New Music: A Concert Showcase, Brunch, Panel and Networking Event. The event will feature women composers, performers and collaborators including Annie Gosfield, Mazzoli, Martha Mooke, Angelica Negron and Kathleen…
Missy Mazzoli will be featured on the Miller Theatre Composer Portrait series, February 5, 2015, with special guests the string quartet ETHEL, violinist Robert Simonds, violist Nathan Schram, cellist Jody Redhage, and soprano Marnie Breckenridge. More info here
Missy Mazzoli and Victoire are excited to be joining forces with composer/electric guitarist Noveller and synthpop chanteuse Glasser in Minneapolis on May 9 and inCincinnati on May 10, 2015! The evening will explore the sonic intersections of woman and machine with manipulation and composition, and also feature solo sets from each artist, culminating…
Victoire’s latest track A Thousand Tongues, remixed by Lorna Dune, has been released on Pitchfork! Jayson Greene praises the track as “the most striking and uncanny music Victoire have ever made.” Read the full article here