“[Mazzoli’s] wonderful score is seductive, meditative, spiritually elusive and subversive. With it, we can welcome a new natural for the art form. And now all eyes and ears are on Mazzoli’s next, larger and more traditional opera slated first for Philadelphia Opera and based on Lars von Trier’s film “Breaking the Waves.”
Online VersionPress
Review: Mezzo-soprano Abigail Fischer overcomes all challenges in ‘Song From the Uproar’
Published October 8, 2015
Los Angeles Times
