“In Ms. Mazzoli’s “Salt,” Ms. Beiser was joined by Ms. Davis, a singer whose range and color palette vie with that of a cello. Her otherworldly voice and ritualistic gestures were well suited to Ms. Wilson’s striking texts, and she shared with Ms. Beiser a certain fierce sexuality that ultimately forbade any suggestion of victimhood.”
Online VersionPress
Women’s Suffering Is a Messy Business in a ‘Cello Opera’
Published October 18, 2012
The New York Times
